Media Times Fiction gave a speech at Daxin Humanities Lecture in Tsinghua on May, 1.

What to write and how to write a big speech in Suzhou
It’s a great honor to come to Suzhou University to participate in this forum. Thank you, Mr. Lin Jianfa and Mr. Yao Wang, the host, for giving me this opportunity. The atmosphere in Suzhou University is very fascinating and I am very excited. Mr. Yao Wang, the host, just introduced it and brought me some pressure. I don’t know if I can finish it.
I have seen many writers speak in this novelist’s forum. Although they all talk about novels, everyone has different views on the problem, which is very important because it constitutes a dialogue. This is a dialogue era. Writing is a dialogue, reading is a dialogue speech, and a dialogue speech is also a dialogue. It may be a real dialogue or a fallacy dialogue, but the opposite of truth is not necessarily a fallacy, and the opposite of falsehood may not be true. It is a face-to-face conversation. In fact, human language activities are all dialogue texts. However, the activities are also listed here. I want to start with a comment I just wrote to Mr. Zhang Dachun on the novel category at the invitation of a friend. I don’t know Mr. Zhang Dachun, and I know that he is a professor at Fu Jen University in Taiwan Province. I also read his monument to the four worried countries in a magazine before writing a novel. He seems to be a pioneer in Taiwan Province, Bai Xianyong and Chen Yingzhen. Their differences are mainly due to their different narrative methods. Probably, when he wrote that comment, I could feel our attitude towards the novel. Of course, he sees many things in common, and he is more detailed than me, and he asks me questions. I think he fights with Mr. Ge Fei, the most inquisitor in Chinese mainland, but I also feel very clearly that Mr. Zhang Dachun is different. He wrote in Chinese at the end of the twentieth century and the beginning of the twenty-first century. What will be so different? I think it is mainly because of the context difference that he wrote in Taiwan Province and we wrote in the mainland. For him, the history has ended, the marathon has hit the line, but our history has not yet ended. Of course, we can also feel the pressure of history. I will call it the titleSimple, that is to say, it’s not about writing context. It’s the same as writing context in China. It feels the same vitality in history. Isn’t it very different for many people to write? My statement is easy to misunderstand. I know that people will say that you should write this sentence. Of course, you should not be afraid of differences, but you are afraid of no differences. If people write the same thing, then we can just look at one person. Why do you have to kill and feed the dog? I have to explain quickly. I mean, it’s not a real family. I mean, what will he continue to write After becoming famous, he still has to write, even if he can’t reach the height he once reached. He still has to write a novelist. What should he be like in reality? How should a novelist make a commitment to writing in this historical context? What is the first problem that every family has to encounter? Perhaps everyone can do this. It seems needless to say that elegant and inexperienced people talked about Kafka’s case, which is a famous case-solving in literature and history. He talked about Kafka’s will, which can best reveal Kafka’s key problem before he died. Will be left to a friend Blaude let Blaude destroy Blaude violated this will, but Kafka. According to the general understanding, we will say that Blaude did this to let others know that his saint is very unusual. My friend Hu Shi, I am a saint Kafka’s best friend, Ya said that saints produce close friends. In the special meaning of religious history, that is, piety Blaude adopted a position of showing off intimacy and piety, that is, the most unbelieving position. Ya said that Kafka entrusted Brod with his will because he knew that Blaude would definitely not fulfill his wishes. Then Ya wrote that Kafka would recognize Brod.This case is a telling example. It is also a kind of personal truth that we can escape from such secular motives. Blaude tried his best to write Kafka as a saint in Kafka’s book, but it was pointless. It is a layman’s humble opinion. Of course, the problem is also on the other side. Another possibility is that Kafka’s motive for demanding the destruction is also true, that is, he is worried that he will have a bad influence on future generations. He is unwilling to take responsibility for this bad influence. Now through this will, he has pushed the responsibility to Blaude Bird. It should be a true portrayal of Kafka’s mental state. We can see that Kafka’s mental state is complicated when facing himself. Maybe we think of another person, that is, Jesus. When we regard him as a noble god, he is actually a failure. When we regard him as a failure, he is an unbearable vulgarity in life. I want to talk about what I write. Many people answer that I can’t do anything like this except write. I don’t believe that you can write, but it’s actually a perfunctory word. I reread the Czech Ivan Krima’s conversation with American Philip Roth earlier. Ivan Krima’s question and answer on this question really won my heart. He said that writing is the most important way for a person to become a person in this era because many talented people will write as their lifelong career. Ivan Krima actually said that writing is justified in a very specialized business meeting, and personal values are reflected through writing through this language activity. Ivan Krima will be spiritually closed into a real person.People are becoming more and more famous with a series of soap operas. This person is iron teeth and copper teeth. Ji Xiaolan and China described the novelist as an official and historian in ancient times. According to Lu Xun’s statement of Chinese art and literature in a brief history of Chinese novels, the novelist was built in the official street to talk about the lane, and the hearsay was so good. However, the official position was only adopted instead of creating a street to talk about the lane, which gave birth to the people. The official may be established relative to the official, but it is not an official. Lan is probably the most famous person in China who has the dual identity of historian and official. We all know that Ji Xiaolan’s generation of senior officials added too few titles and the official residence of the state supervisor co-ordinated the compilation of the four databases, which made future generations value Ji Xiaolan more than Chinese teachers and students. Another reason is that when he wrote the notes of Yuewei Caotang, his identity changed from historian to official. In the preface to the notes of Yuewei Caotang, Ji Xiaolan’s disciples wrote that the Six Classics of Wen Dao were sent down by the solid road and listed in the history. However, Bai’s novels seem to be like Daoyi, and then this master writes that Mr. Daohe asked the article, but he was pessimistic and indifferent by nature, and he talked about flaunting the door, and he didn’t have talent. When he boasted about the famous poets, he took notes to express his feelings. Ji Xiaolan sincerely wanted to tell the truth, otherwise he wouldn’t be Ji Xiaolan. I became a real person, and I wrote the greatest motivation. Otherwise, noble Ji Xiaolan would condescend to talk about anything.Born in the category of novels, it is said that novels are an offensive force. While novels offend true knowledge, they may also offend morality, ethics, customs, rituals, teachings, politics and law. Because of this offense, novels have been exploring the boundaries of human beings that have not been realized by human beings, that is to say, he believes that an important function of novels is to explore the boundaries of human beings, which will offend true knowledge and true knowledge. I think he said that offending is probably similar to what we often say, questioning, questioning and writing it in the twentieth century. It is an important task to re-examine and reflect on the human experience whether it is philosophy or literature or others’ liberal arts. It is also because of this that we can say that a new humanistic school was founded after suspicion. I recently read a novel by Coetzee, Master Petersburg, which is another matter to discuss. I am more interested in Coetzee’s portrayal of such a character by a girl named Matt Liao Sha, which reminds us of Dostoev. Skipen Aliosha Tolstoy pen Natasha Parcel Nakpen Larry Shafaulkner pen black maids, they are unpolluted plants growing on the earth, and the flowers by the spring are shining in dark kingdom to light up the dark river. They need to be re-examined, but wait a minute. Even such a girl Kutcher has not let her go. It can be said that an important chapter is poison. This girl is insulted and damaged, not because of others, but because of the noble cause of the poor, and she has devoted herself to the beautiful utopia of human beings. She has become a key figure in the event. She is poison. From here, I think maybe we can see that theWill base Tolstoy feel stabbed when he sees this description? Will he wake up from his dream? I think it shows Kutcher’s position. All experiences, including Dostoevsky Tolstoy’s experience, including the experience of a teenage girl, are subject to scrutiny. Unless you think they are not part of human beings, I think an important job for novelists is to re-examine the experience. For novelists, this is not immoral, but a kind of morality. I think of Poland. In a word, milosz said that we have hardly touched the history of the twentieth century. How can we say that we have not touched it? Historical accounts have long been voluminous, but what he said actually means is another meaning. We need to constantly recount this history, constantly return to the historical scene and constantly re-examine our experience. By the way, I still often see many critics comparing today’s writing with Dostoevsky Tolstoy’s criticizing today’s writing for lack of love, lack of religion. There are many doubts and many problems. Dostoevsky Tolstoy’s writing doubts will give us a lot of enlightenment, but I hope that today’s writings are similar to those of masters, and people will look up to them. I think this is an absurd idea, a kind of knowing idea. How can Qian Shan Wanshui be like that after two centuries of long nights? I really want to say that the person who is least like Tolstoy may be this era. Tolstoy said that Tolstoy wrote his own words and named his times. Then an important task for this era is to name his own times. I feel that it is equally important to re-examine and express those unnamed experiences, especially the mutual modernity of different languages andI saw a novel a few years ago, and I also discussed it in Gefei’s speech. This novel is Rushdie’s golden words. He wrote the story of a Pakistani girl who went to the visa office to get married with her fiance in Britain. This girl is a kindergarten aunt, but the matchmaker said that her parents had made the country poor, but she had never met her fiance. It means that the protagonist is actually not the beautiful girl, but an old man opposite the visa office. The story is from a generation who has experienced many vicissitudes and cheated. From the perspective of the old man, at this moment, the old man tells the girl visa office that those people are bad people. They will ask you a lot of questions, and they will be more difficult than your fiance’s family. He is very fond of sex, and so on. If you don’t answer correctly, they will refuse to sign in. You should take my words and let me sign in for you. We all know that all the car inspection places in China are car bugs, that is, car inspectors collude to earn drivers’ money. If you don’t pass the car inspection, your car will fail. This old man is probably equivalent to this role, At this time, the old man was stunned by the beauty of the girl. He told the truth for the first time in his life. The problem is that the girl didn’t believe him and would rather believe the government workers. Later, the girl was refused to sign. At the end of the novel, the old man told the truth for the first time in the face of the girl’s back and was not believed. At first glance, the story seemed very simple. In fact, it was complicated, but it could be solved in many ways than ours. The girl was actually waiting to be refused a visa because she actually didn’t want to go to England. This kind of writing can also make people think ofThe third world, the first world, contains marginal owners and personal authenticity in an information age. Many problems are all trapped animals and still fighting for us. Our novels need to present such an experience consciously. This presentation process is the naming process. I met an interesting story not long ago, and maybe one day I will write it as a novel. Now, in the city, people buy furniture, and the living room is antique. From the countryside, cleaning furniture becomes a new fashion. A place in Beijing is called Gaobeidian, which goes from Henan to Beijing and leaves Beijing. Recently, that car is Gaobeidian, where a street sells furniture like this. I saw many foreigners selling furniture there and told me that foreigners were all consigned to foreign countries in boxes. I saw a thing there that was feeding horses in rural areas. The shopkeeper told foreigners that these mangers were all for putting flowers, but when foreigners bought them, they would let them put flowers. I also saw red lanterns hanging high, and my fourth aunt sang Lian knocked on her feet. It seemed that someone had pointed out that this was a pseudo-folk custom, but now people in the store told me when it came from a big family and later generations. Foreigners from there are very China people and shopkeepers say that many stars often play the emperor, that actor plays the gentry and that actor comes here to buy things. I feel that this is the time when the story is being told all the time in a metropolis shop that faces farmland, highways and Beijing. The story contains a very complicated cultural implication, which is more complicated than the unification of East and West, and the combination of the West and China. Such an imagination has influenced China and forced us to rewrite our own history. I don’t know what others think of the influence of mass media on life, and so on. I feel that such a complicated experience has not been fully expressed in the text.Victory Enumeration This is a rapidly changing era, and everything is changing. In Duerrenmatt, now the motherland has become a country, a nation, a mass, and the love of the motherland has become loyalty to the company. In Saul Bellow’s words, predecessors died in the arms of relatives, and now people are dying on the expressway. These are some new experiences to be named. Of course, I said that the naming of literary style is a certain narrative form to adapt to different realities. This reality is far beyond the scope of literary narration. One is the basis for our understanding of reality. We have created two novels in our village. The word "novel" is the first novelist and the first storyteller in China. The poet said that decorating the novel in the village outside the village made it far away from Dada. It means whitewashing some superficial and trivial knowledge to get a high name, so it is far from reaching the situation. Obviously, the novel here is very different from the novel we came to later. It is not a proper term either. It means that shallow knowledge has no fictional storytelling meaning, but some opinions on the novel in later generations have somewhat followed Zhuang’s statement and made it eventually become a specialization. Nouns become a narrative style title, and another word is "Yiyan Yiyan", which means ancient water container village. Language means that the water in a wine glass will take different forms depending on the shape of the wine glass. I think in such a cultural background novel, the water in a wine glass should be able to name this complex cultural reality in its own way, that is, to express it in writing. Of course, this expression will make people feel uncomfortable. I feel that I have just made some efforts in this respect in my novel, and of course, it also makes some friends feel uncomfortable.The process of cultural transformation is a projection of various difficult problems in rural China, many of which are beyond our imagination. I think we haven’t entered the rural area for a long time to talk about many problems. It’s one thing whether I write this novel well or not, but I must touch it. I think I touched it. I should be ashamed of course, but I don’t need to be very ashamed. At one time in the 1910 s, the literary circles discussed that novel writing had changed from what to how to write it. Now it seems that this statement is too simple. Ridiculous. The importance of what to write and how to write it should be said that it has always been the same, and they are inseparable. Thousands of years ago, Zhuang made the problem clear in one word, but for the convenience of discussion, I want to bring it up again because of various specific writing methods. I think it is very important that Mr. Geng Zhanchun’s narrative is beautiful. Mr. Geng Zhanchun is a very important critic in my mind, and his insights are all warm. He talks about a new novel here. The form is an encyclopedic novel. I have noticed that Zhang Dachun’s novels also talked about this issue. I think this involves some thoughts on how to write in our time. Geng Zhanchun and Zhang Dachun all quoted a passage from Calvino’s memorandum in the next Millennium. Modern novels are an encyclopedic method of seeking knowledge, especially a kind of things in the world. Zhang Dachun said that this novel was eloquent and whispered lies in a furnace, and an encyclopedic encyclopedia said that such a novel form is new. People may disagree that the Bible is an encyclopedic Sima Qian.I doubt that I can be tongue-tied. The only thing I can argue is that this is a novel, not a historical scripture. Otherwise, we wouldn’t say that the novel is a very high realm. For China’s reading and writing, it should be admitted that our literary system is rooted in a saying that all drums are played in the bright moonlight after cleaning a dozen wheat fields. Although it is a story of heroes and beauties, its basic idea is to tell a personal experience, success or failure, personal experience, good and evil, loyalty and betrayal. Summarize its understanding of history to realize its enlightenment to people. Now, such an encyclopedic novel partially deviates from this system. I think its purpose is to activate and rebuild the novel’s real history and its current background. Of course, first of all, it is because the novelist has doubts about the concept of the historical category and the traditional theory in the contemporary complex context. I think the most important factor may also be that it shows that the novelist is dissatisfied with the single discourse world and refuses to admit that the novelist may rely on the dialogue of various elements before seeking this world. Truth is in my hands, the only true opposite is falsehood. This unified expression is obviously a problem. Now this novel should be a dialogue at all discourse meeting points and various knowledge exhibitions. I feel that I have made such efforts in the coloratura of novels. Similar examples are actually better than those suggested by Mr. Han Shaogong’s Maqiao Dictionary. Probably because of this, I have a high opinion of Han Shaogong’s Maqiao Dictionary. As far as I know, most of my contemporaries do not agree with Han’s efforts, but this does not mean that I reject my idea that a novel should be able to rebuild the reality of novels. It should be linked to the fiction department.It doesn’t really matter whether such a novel is an encyclopedic novel or not. What matters is that the novel department needs such a machine dialogue questioning machine. Even if it is about dinosaur stories, I haven’t thought clearly, and I may never think clearly about the situation. On the contrary, it may be some confused words. I said that my feelings are reading my thoughts, not expressing confusion, but seeking dialogue. Mr. Ge Fei told me a lot of questions about Daiyu’s walking posture and seat cushions all the way in Suzhou, which is very interesting.
He thinks a lot of questions, which are pertinent to this era. I will save time and let Ge Fei talk about it. Thank you again, Mr. Lin Jianfa and Mr. Yao Wang.
Realistic China Speech at Spanish Forum in China, Spain
Good afternoon, friends. Just now, we were almost late because we met a real problem on the road. We were stuck in traffic jams. I still don’t think Spain will be stuck in traffic jams now. It seems that this is indeed a worldwide modern problem. We will definitely not be late when riding Don Quixote’s donkey. I remembered an American saying that our predecessors died in the arms of their loved ones. Now people are dying on the highway. This is the contemporary reality. I wrote this story into a novel. I think it may belong to the realistic language of this era. This is a digression. Now, according to the requirements of the meeting, I will discuss a realistic China
Realism is an ancient topic in China, which has continued from its birth to today. China hieroglyphics are the most realistic spiritual characters, because it is a pictographic way to intuitively name everything in the world. As we all know, China’s cultural system is deeply influenced by Confucius. China is often regarded as Confucius’ country. The core of Confucius’ thought is to discuss literature and art. He believes that the political customs of literature and art will be important in social life. In the joint literature and art, there will be a change in people’s minds, but this will reach the realm of benevolence, and the benevolence lies in Confucius. The ideology is the most important concept. Its basic meaning is that everyone gets along harmoniously, and benevolence is to love others. In China, the word benevolence is composed of two characters. Kong also believes that beauty is good literature and art is beauty because it broadcasts good and healthy thoughts. He once said that after listening to a beautiful music for three months, you can’t taste the meat. Kong was responsible for editing the world’s earliest poem, the total book of songs. Most of them were realism. We can understand the life thoughts of China people more than 2,500 years ago by reading those. Up to now, Confucius thought still has considerable influence in China. Although Confucius founded Confucianism in a non-western sense, it can be regarded as semi-religion in the eyes of westerners, but it is actually the religion with the greatest influence in China. It is semi-religious, semi-secular and semi-religious. It is said that it is a religious form rooted in realism.
To say that China’s most important literary style is realistic literary style should not be exaggeration, whether it is Han Fu or Tang Poetry, whether it is Song Ci or Yuan Qu or Qing novel. Realistic writing constitutes the master of China literature. We all know that the concept of realism was first created by Schiller, a German country, in the tenth century. Realistic writing developed with the establishment of capitalism in western Europe. In the 19th century, criticizing realistic writing created a great master of approval, while in China, China was the greatest in the middle of the 10th century. Realistic Dream of Red Mansions has been born. Of course, in China, especially in the south of Changjiang River in China, there was once a master of Qu, who inherited and developed the magnificent imagination of the Han Fu system. We usually regard Qu as a master of romantic literature, but Qu’s spirit is based on this combination of realism or critical realism. In this way, China furniture is a natural feeling of worrying about the country and the people. In the country, it is always used to expressing the emotional world of the people in the people’s society. Even in describing the noble life of the Dream of Red Mansions, we can feel the limited affection for the people in the people’s stratum and euphemis
We all know that people’s language was spoken in Confucius more than 2,400 years ago, and people can still understand it today. It is hard to imagine English before Shakespeare in all countries in the world. Now it is hard for the British to understand it. It is said that China culture has a rare vitality, but when China contemporary writers wrote it, the language in Confucius era has changed a lot. The words are still those words, but the grammar has changed, and the words have changed. This is because around 1917, a famous new culture movement in China was launched in China, which was initiated by less knowledge. One of the important points of this movement was to call on people to call on vernacular Chinese to be called classical Chinese in China, and then vernacular Chinese. However, it is an important fact that China’s Qing novels are all based on vernacular novels, which are very close to the current language. We can recognize that China’s current language, including vernacular Chinese, can be regarded as a development from Qing novels to a great extent, and without Pushkin, it would not exist. China’s vernacular poetry and vernacular novels did not exist now after the New Culture Movement of Qing Dynasty, so we can say that there was no vernacular poetry and vernacular novels in China now. From this, we can see how great China has influenced the reality of China. It has also affected our tongues and our thinking. It is necessary to say that in the Qing Dynasty, the family wanted to write in vernacular, and people may say that it was home. Don’t know that in 1949, let alone before 1917, the vast majority of people in China could not read, which was a novelist who could be understood by most people.Tell his story to the bottom people and his worries about the country to tell people that he realized the truth of the world, which is the embodiment of China’s pursuit of realism.
A family in China, including me, first lived in China Wentong. In the 1910 s, western literature and art entered China in large quantities. But when it influenced China’s writing, it ceased to belong to him and became a unified part of China’s language after the 1910 s. This time, several China families in Spain also completed their education in the 1910 s. I finished my education in the 1910 s. I still remember reading western novels and Latin American novels hungrily. I was also familiar with Cervantes at that time. Don Quixote familiarized himself with Marquez’s centenary loneliness familiarized himself with Serra’s Honeycomb. Lue Sa just won the Nobel Prize this year. These Spanish words have undoubtedly deeply influenced China’s writers. China has realized the realistic methods of Spanish writers from them. In the process of accepting the influence of western languages, because realism has a strong vitality in China, China is always used to paying more attention to those critical realism spirits. Although each of us writes quite differently, the spirit of realism should be. It is our common ground that countries always hope that they can play an active role in social progress and folk customs, or that China always hopes that it has the characteristics of Sartre’s intervention
I remember that a Spanish poet named Lorca once wrote that even a small hand can’t break the water gate, but a hand holding a quill pen and a hand hitting a keyboard player can not completely change the reality, but it can affect the reality, affect the water quantity and change the direction of the water. Here, I also happened to visit a poem by a China poet, which can partially explain that China’s family feels like a crocodile making love in reality, which is beautiful and painful. The reality may be a fierce crocodile, but the family needs it. Courageously welcome it, writing pleasure and writing meaning may be born from me. I think my interest in writing lies in writing about China’s modern and contemporary knowledge and dividing life. They are from a group of people who are deeply influenced by Confucianism to a group of people who are deeply influenced by western thought, or after being influenced by western thought, they try to return to Confucianism. A group of people see how much hope we see when we see failures in them. Of course, more often we see confusion. My other interest is to describe rural areas in China. Great changes when the wave of globalization has swept through the rural areas of China, we will really realize that China has changed greatly now. China is the country that most westerners have not understood China after reading it. I think Spain can learn about the reality of contemporary China from China, but if you really want to know about China, you’d better go to China to see it. When you get in touch with the reality of China, you may get a deeper understanding of the realism of China and how hard it has worked to realize the reality of China.
I’m not overtime, am I? Thank you.
On January 4, 1, he was educated in Madrid, Spain.
The novel was delivered at the China-France Forum on January 1, 1991.
I am very happy to participate in this dialogue novel, which is a topic that I am very interested in and I think most about, but at the same time it is the most difficult topic for me to talk about. It becomes more complicated to talk about this topic in the background of China and the West.
After the 1990s, a series of profound changes will take place in China, which are far beyond people’s cultural imagination. Statistics show that 70% of the world’s large-scale lifting equipment and 70% of the cement are in China. A foreign country told me that he used to be a crane as the national bird of China. When the plane flew to China, he saw a group of cranes on the wing. Later, he discovered that it was actually to demolish houses and build a big crane. We all know that the English word rane contains the meaning of big crane. Translate China’s English name China into Chinese. The year before last, I went to Switzerland for a festival and saw an apple tree in the landlord’s yard. Although I tasted the apple tree, I still didn’t recognize it as an apple tree, especially in the ancient temple of China. Its real age is 104 years old. I believe it is not unexpected that such an apple tree can’t be found in 9.6 million square kilometers of land in China. Centenarians are more common in China, but centenarians are really not as old as China apples. Generally, it will not be more than ten years old. New apple trees must be cut down in 2008, and the reality in China is changing rapidly. In my opinion, it is likely that these changes have exceeded the renewal speed of apple trees. But are these changes genius from now on? Does reality become like this overnight?
A China man who came from the 20th century wants him to be a touching historical experience. He has three different experiences, one is socialist experience, the other is market-oriented experience, and the other is spheroidizing experience gained after being deeply involved in spheroidization after the 1990s. These three experiences correspond to three different eras, and one era can be regarded as both development and retribution for another era. For a historical essay, these three experiences are actually superimposed on each other. Infiltration and magma in the earth’s crust generally churned and stirred, but when we really tried to describe this complex experience in a novel way, we felt that it was difficult, because for more than 2,000 years, China’s literature and history, from poetry and music to Qing novels to Lu Xun and westerner Shen Congwen, had never been involved in this experience, and the western modernist movements, from Flaubert to Sartre, from Proust to Robert Gerye, had influenced China’s family creation at a certain stage, but these families had never been involved in this experience. When the country was written to a large extent as an independent exploration, I said in Madrid when I was talking to Spanish families that China was faced with this complex experience, and when I wrote it, my figure was reminiscent of Don Quixote who challenged the windmill. But how much can the western family record institutions know about the achievements made by China in this complex experience?
More than once, I have heard critics say that the surge in the number of novels in China after the 1990s was influenced by marketization, but critics, including some literary historians, failed to explain this phenomenon. Although the pace of modern life is getting faster and faster, people should read short stories, but they strangely choose to buy more time-consuming novels. People can certainly make various explanations for the pre-prosperity of the novel market, which some people call abnormal and prosperous, but in my opinion, one reason is probably decisive. The reason is that compared with other styles of novels, it is possible to absorb more complicated experiences, and we hope that our complicated experiences can be verified in novels. Therefore, we see that almost all important contemporary writers are devoted to novel creation and our novels are getting longer and longer. The latest example is that Mr. Zhang Wei, a Shandong family, has a novel of 4.5 million words. I suspect that this is the longest novel in human history. Another example is that Mr. Shi Tiesheng has just gone to a famous family, and history may prove that Mr. Shi Tiesheng is here. The position of literature and history is comparable to that of Mr. Lu Xun, but what I want to say here is not the position of other languages, but that the radius of daily life is relatively narrow. In the last few years of his life, he also devoted himself to the creation of novels, and the practice of creating novels in China is often not understood by foreign critics. I have heard foreign critics criticize the novels in China for getting longer and longer. They think this is a sign of laziness in China, saying that the China family is not responsible for reading, and fully understanding the complexity of China’s experience can help us understand why China will make such arduous efforts at the cost of their own lives.
Let me go back to the festival in front of me again and go to the apple tree in Switzerland. I remember that in the program of that festival, a poem by Du Fu, a poet of China in the first century A.D., was printed. This ancient poem can barely be translated. We are in a difficult world, and who is willing to open up and say their true feelings? In the subsequent discussion, I think the country really responded to Du Fu’s call. In a neutral country like Switzerland, I spoke frankly about my views on the article and the reality of China, but I still felt very clearly in private talks. Most critics of social translators tend to think that the China family didn’t say that they really wanted to talk, that is to say, they think that the fact that China has actually hidden their hearts deeply probably means that the China family’s true feelings about life don’t conform to the imagination of western countries about China. Behind the warm friendship and gentle smile, our understanding of China’s reality is actually quite different. Last spring, we finally had the opportunity to communicate again and let each other see their hearts. This is because a host of the Swiss Festival came. China, this time, I learned that she was not a poet, but a photographer and a member of a local Swiss parliament. We had a very frank comparison. I knew that she occupied two seats in the parliament alone because she was in a party and this party had two seats in the parliament. She was both an organization and an individual, a leader and a mass. I asked her not to develop her husband and daughter into her own party member. She said that her husband and daughter didn’t know the name of her party at all, and of course, she didn’t know what party her husband and daughter belonged to. All these situations opened my eyes.I went to the outskirts of Beijing and saw a grove of apples in the suburbs, just as my landlord was surprised that I didn’t recognize that tree as an apple tree. This Swiss friend couldn’t recognize what kind of tree it was in front of me. In the next few days, we finally had a chance to discuss in detail what was the big difference between China apple trees and Swiss apple trees. Of course, I must realize that it was our opportunity to discuss in detail because the volcanic ash formed by the volcanic eruption in Iceland blocked her trip, and then we discussed Europe together. Volcanic ash in Europe, we realize that in a spheroidizing era, although volcanic ash is far away in Europe, although it is just dust, its influence has spread as far away as China, and my Swiss friend can form a deep friendship.
Thank you all
The family made a speech at the first Sino-Australian Forum.
More than twenty years ago, when I was a freshman, I used to be very S Eliot. After many years, I can still recite many of his poems. He had an important influence on the criticism of China’s poetry after the 1910 s. In his famous paper, he unified his talents, that is, in English writing, we don’t often talk about unification in one situation, and people will realize the word unification, that is, it denounces a certain film for its lack of creativity, and you praise a certain film with the word you, so you are actually saying that it is an interesting ancient revival.
Who wants to write a reply? No one, especially in the 1910 s.
In the 1910 s, China just went abroad to carry out reform and update Vientiane, China. Almost every domestic poet is seeking innovation. This explanation is very pleasant to Chinese poets. They rarely listen to Eliot’s next speech. The key point of Eliot’s paper is actually to say that family law divides him, and that a unified family can’t have other meanings alone. You can’t evaluate a family separately. You must compare his predecessors. That is to say, when we evaluate whether a family is an important family or not, we will.
This still works today.
There is no doubt that the family system is extremely complicated. Almost every family wants to write it before they can write it. It is different from the system and different from their contemporaries. At the same time, the family hopes that they can write a unified part of a chain of literature and history. In this respect, Eliot’s theory of creating others is consistent. You can feel the influence of various styles in his poems. Bibles, ancient Greek myths and allusions are often found in his poems. However, Eliot is the only one who is rooted in the system, but he has turned the poetry shortage into a great poetry garden to nourish it, and only individuals can bloom him.
The most influential English poet in China is S Eliot ezra Pound, who has influenced China culture in their poems, and the most influential poet and novelist in China’s family is undoubtedly influenced by western culture. I believe that they have been influenced by western culture in several Chinese countries in Australia this time. As far as I am concerned, I must admit that I have read a lot of western novels, and I am very familiar with English, American, German, Latin and American, as well as the Bible and ancient Greek mythology. However, by the end of 1990s, I believe that a change in China was that after traveling all over the West, China once again took an interest in its own literary style. At the same time, China’s interest in reading literary style changed for more than 2,000 years. China was also reading the Book of Songs and reading the Analects of Confucius. As we all know, that was the cultural source of China and China, and China’s classical novels gained more attention than the Dream of Red Mansions. A once betrayed literary style has now gained more attention. In recent ten years, most novels have absorbed the essence of China’s literary style. What kind of literary style does China refer to?
China’s literary style can be roughly summed up in four words, that is, elegance.
I don’t know how to translate this word into English. I can roughly say one or four words. Elegance means to express one’s feelings, to be able to absorb nutrients from the history of China’s Confucian classics, and to melt the history into a furnace wind. It means to praise people who are beyond secular feelings, to show their noble spirit, to show the tension in the secular world, and to be able to transcend this tension. Generally speaking, elegance requires that economists should be able to go deep into their lives and express their spiritual world through their daily lives. Critics in China call this method of observation, thinking and writing nothing more than it.
Different from the 1990s, I have been reading a lot of China’s classical novels, namely, China’s unified culture. I think it may be that I have reached middle age. After that, I gradually agreed with China’s unified culture, but at the same time, I strongly feel that it is impossible to write China’s unified novels. No one can return to China with a classical meaning through the long night of the twentieth century. It can be said that whether you write western-style modernist novels, post-modernist novels or China’s Dream of Red Mansions novels is important for China to write. It is an illegal novel for China when it comes to reality. This is because the reality of China has undergone tremendous changes. The reality of China has been quite different from that of China a year ago. At the same time, it is also quite different from that of the West. China must find a new narrative way to cope with the current complicated situation in China. In this sense, the country is now creating a new unified kind, which is different from China’s unified literature and modern western literature. This writing significance may not be shown in literature and history until several years later.
Sydney, 1 September 1911
China’s knowledge in contemporary novels was delivered at the Asian-African Conference.
Looking through China’s modern literature and history, we will find that the most important theme of novels is enlightenment. Almost every novel, especially novels, contains images of knowledge. They will change and intervene. Usually, the object of enlightenment is China people, that is, farmers, and the enlightenment tools are from the west. The purpose of enlightenment is to tell people that if we want to become rich and our nation-state wants to become strong, we must take a different road, that is, the socialist road.
However, from 1949, China’s knowledge division suddenly became a failed role in China’s novels. This is a major turning point in knowledge division. Knowledge has changed from enlightenment to enlightenment overnight. Compared with farmers, it has now become enlightenment. Farmers’ knowledge division is mainly about sharing knowledge with them, not living in life, but also giving up personal feelings. At that time, the term was bourgeois individualism and giving up critical concepts. In other words, farmers asked them to give up their knowledge division.
Until the end of the Cultural Revolution, there were actually two kinds of characters in China’s novels, which formed a stubborn binary opposition pattern. One of them was peasant workers, and they could be collectively referred to as the masses. They were regarded as the embodiment of progressive, private, hard-working and simple music, full of revolutionary heroism, and the other was the embodiment of knowledge. They were regarded as backward, private, vain and lazy, immersed in the corrupt passion of bourgeois individualism. For a long time, when national novels expressed knowledge, they were not paying tribute to the masses. I belittle myself by paying tribute to the public. It can be said that for a long time, the country actually gave up a basic function of knowledge. I once expressed in a number of novels that China’s knowledge was actually living outside the body, and he faithfully expressed his experience and his wishes. They wrote reality as a kind of castration.
Anyone familiar with China’s contemporary literature and history knows that 1985 was an important turning point in China’s literature. From that year, the knowledge sharing among the masses in China’s novels was re-examined. It was emphasized that the faces of the masses were no longer the same, but the images were different. When the weaknesses of the masses were re-exposed, China’s knowledge sharing destiny was re-recognized. However, we must admit that until today, China’s knowledge sharing destiny, and all kinds of complicated entanglements in China’s history were not presented in China’s novels.
In the process of writing, I am most interested in the topic of knowledge divided into destiny. I published a novel in coloratura, hoping that this novel would do some research on the mass history of knowledge divided into revolution. When writing, I realized that the actual situation in China has changed a lot. On the one hand, the secularization wave has swept through the western developed countries in China, and the economic and cultural products have flooded into the streets and lanes of China. On the other hand, the political structure of China society has not changed fundamentally. In the ideological field, history is still with it. Strong inertia is sliding forward. On the one hand, China seems to have entered the post-modern period, and the international society will be fully integrated. On the other hand, many aspects of China society are still in the pre-modern period. This is a special Chinese situation.
Because in the pre-modern period, a kind of ignorance and oppression that can be called unified pain is more violent than poverty still makes China suffer from conscience. In conscience, all countries can always feel this kind of pain, which is unbearable. Polish milosz once compared Poland to another Europe, which means that although Poland belongs to Europe, the Poles still live in a historical process that has long been out of date in Europe and suffer from that kind of outdated pain. China’s current situation milosz once described the great similarity of the situation in a certain place. In this sense, China can also be described as another Asia and another East, but I think whether it is Asia, Africa or Europe and America, we should have a world vision and a clear sense of history, and he will realize that the heavy pain in China is still of universal significance.
In addition, China has been deeply involved in the wave of globalization and secularization. China’s knowledge points also feel another kind of pain, which is relatively new to China people. That is, after China’s dream of utopia for a hundred years was shattered, the knowledge points were empty, and the sense of power was suppressed due to the rule of modern technology. After the desire was released, this fresh pain may be said to be lighter by Milan Kundera. More often, the knowledge points in China’s novels hovered around these two kinds of pains and made a lament.
Finally, I want to say that it is an important chapter in China’s novels to focus on light and complex writing. A nation-state has dreamed of practicing China’s knowledge for hundreds of years, and its success and failure are also presented in this light and heavy writing.
In November, 2007, at the invitation of the Asian-African Conference, Li Er went to the State Council meeting in South Korea. In this article, Li Er gave a speech at the meeting.
Media Times Fiction gave a speech at Daxin Humanities Lecture in Tsinghua on May, 1.
I’m glad to make one with my friends.
I have talked about this topic in other places. It is not to save trouble, but because it is really a problem that bothers me. I think it is also a problem that bothers many families. I have been here for more than 20 years. Most of my earliest novels are recommended by Ge Fei for publication. We usually do a lot, but we haven’t done much on this issue, but I believe it may also be a matter of comparison between Ge Fei and others. A few years ago, Ge Fei wrote a short story, and I think the theme of that novel was based on it. It’s the influence of mass media on people’s fate. In my opinion, it may be the most important short story in recent years. Some friends may know that I wrote a novel ten years ago. My main discussion is that in the revolutionary era, individuals disappear, and a person joins the revolution to connect individuals with their national destiny. His value is to show his national feelings through revolutionary performance, but paradoxically, in this process, the value of others is actually cancelled. Of course, the theme of that novel is very complicated. I can’t make it clear to me, but I understand it correctly. This should be a basic theme. Different from the novel’s performance at that time, the individual’s value and the meaning of individual’s life are now threatened by another kind of threat. In my opinion, the influence of mass media should be regarded as a very sudden force. This is also a theme in a novel I recently wrote. This novel was written very hard and it was like walking on thin ice. I remember that Akhmatova’s poem was a secret, and every step was an abyss, and the honor was the same as the dead leaves. I can say that in the process of writing a novel, it was really a trap
We all know that the newspaper has covered the previous period of our lives. April 3rd is World Reading Day. The Beijing delegation didn’t know what to find. I hope I can talk about my feelings about numbers. The theme of this year’s World Reading Day is numbers. At that time, I went to return them to you. Tsinghua, Jiang Fangzhou and Jiang Fangzhou were very eloquent. I don’t forgive my ignorance. When I went there, I didn’t even understand the concept of numbers, but I generally knew that the two concepts of numbers and mass media should overlap quite a lot. It was at this meeting that I heard a saying that Beijing was big. Mr. Wang Zhou, the person in charge of the library, said that the unified writing will soon disappear, and the paper will soon disappear, and the digital age will be very fast and effective. According to him, my family like Mr. Ge Fei will die in 20 years. I came back to rent a car and joked with him that we have been sentenced to death with a 20-year reprieve. Of course, I don’t want to accept his statement. Strangely, others don’t agree with this statement. It is because this statement can be established that the significance of my novelist is no longer a big fight. The discount problem is probably gone, but others don’t agree with it. Because of this statement, there is no library in Dali. Where did he go to be a curator? Just a few days ago, the China delegation held another meeting there. It was also a digital issue and digital issues. I was deeply impressed by the bosses of major institutions in China, including the company. I fully understood their arrogance, which was composed of digital mass media, assets and transportation officials. Of course, I also frankly pointed out their arrogance when I spoke, which impressed people. Usually, people think that home is eloquent, but compared with those people, home is simply small.The difference in mouth is a monologue, but they are full of ridicule. They express their thoughts with pride. In a word, cultural broadcasting depends on them. Whether China can change from an economic power to a cultural power depends on them. As far as the text is concerned, their common view, that is, the unified text, has become insignificant. Now it is the only sign of the success of a literary age film. I told my host at that time how I wish I hadn’t attended your meeting
People believe that the power of mass media is not seen from today. First, Nixon discussed with Kissinger what gift to give Mao Zedong before visiting China. Nixon finally chose a video camera. Nixon told Kissinger that he wanted Mao Zedong to see it and know what the outside world was like. Nixon obviously recognized the ability to change the times and the power to change the shape of society. We now know that China will undergo a series of profound changes later. What exactly is the video camera that Nixon gave Mao Zedong? One thing is certain, that is, up to today, newspapers and other media have really influenced our lives to a considerable extent, and will further and further influence our lives, our values and happiness, the way we look at the world, and the way we imagine the world will change because of the strong intervention of the media. This influence is the orientation affected, and people are human. I once read a report that the first meeting of leaders in the Political Bureau of the Central Committee in an average of 40 days is called the development of world technology and the construction of Chinese culture. Of course, this is in it. The key words may be that they are rich, this time in the brain, the coordinated development of the region, once in the food safety and once again in the Jinggangshan revolutionary base area of Nanchang Uprising. It is very interesting and has a very Chinese realistic spirit. The year before last, China literature and art was established in Tongji University, which will be called the creation of ecological globalization. I noticed that the famous critic Mr. Zhu Dake’s speech was a butterfly of literary death. According to Mr. Zhu Dake’s research, it was a great ghost. It was looking for a host everywhere. For the first time, it chose a language exhibition of human body and tongue. It was said that it was not a caveWriting these old people and young people, the old man will move to his new house for the third time, that is to say, he will choose new media, including novels, mobile phone messages. Anyway, it seems to tell a fact. From senior leaders to avant-garde critics, it is already a media age.
An Englishman’s name is David Butler, and he is said to have a great influence on the media. He is also a research matchmaker in colleges and universities. He must read many famous sayings from the mass media David Butler. He said that media information can be easily injected into people’s skin like a leather syringe, which is a human resistance. He said that this is not drug abuse, so individuals will appear isolated and fragile when facing the media. They are obedient to accept the image and the value behind the camera. Another famous saying of him is that the media is disguised by an illusion like a dog tied to a leash. Well, let’s look at that dog. It can’t even pee. It can pee in any tree that its owner tells it to pee in. It is true that many times we are faced with all kinds of powerful media and powerful media. Our brain and body seem to be implanted with some kind of chip. We can’t help but give instructions to act according to it. Even the most independent spirit criticizes spiritual knowledge. It seems that we can’t escape from it. Isn’t it a famous saying that Yi Zhongtian, a spokesman, said that Kong Sheng is alive today, and he will definitely look at it, or he will sit in an ox cart and talk around like him? It’s too hard. I recently wrote a novel about the hole, and I did a textual research by the way. The wheel of the hole is made of wood, which is the shadow of ballad of narayama. That word is really hard. Yi Zhongtian, of course, is flying in the constant temperature studio to talk about Yi Zhongtian. I want to say that we will never let go of the mass media. Of course, I have little doubt about Yi Zhongtian’s statement. Phoenix Satellite TV wants me to tell them that I really don’t show my face. It’s a joke here. Now the girl’s face is more beautiful than before. I used to be a middle-aged man.You know, it’s really not easy for a woman to say that another woman is beautiful, so what will become beautiful? It’s said that makeup art has changed, food structure has changed, and it’s not said that it’s a common aesthetic standard, which has subtly affected girls’ faces, bones, changes, and muscle growth patterns, which first stipulated that they smile.
It’s really hard to talk about fiction in this background, because I believe everyone will feel similar to me, and the most influenced by the mass media should be home. Many people recognize that they read novels and don’t read newspapers and watch news. Many big professors are newspaper fans. I have seen some professors in Peking University recall that Professor yaoyao reads more than a dozen newspapers every day, and I have to comment on them before reading them. I often hear that foreigners pick up a novel as soon as they get on the train, and many people admire it, especially the family. I’m eager to look at others and look at others’ reading, but I don’t see the situation in foreign countries. In fact, many people take newspapers on the subway. Of course, it may not be novels. People read newspapers instead of novels. The most important reason is that people think that news reports are true or false, while novels are fiction, which requires a transformation to achieve truth. News reports directly face real novels, which seems more important than newspapers. The spirit of realism, Hai Zhang San, is Hai Zhang San. It can’t be that Beijing Li Si, Henan Wang Ma blended Zhang San together. Of course, we all know now that even fools know that news is not all true through editing and recoding information. Even if the news materials are all true, its final conclusion will be fake news. The usual trick is to cover up another truth or a partial truth to cover up a bigger truth, so as to get a false conclusion. Creating a new lie has almost become a non-fiction form. Now fiction workers all know that we have a lot of very rich experience in this field. Of course, this situation will not happen now. We know the United StatesCronkite is very famous. He also regards news anchors as news anchors. The rise of news anchors all over the world stems from Cronkite. There used to be a very famous news column in the United States called Cronkite Evening News. From Cronkite’s viewing of news anchors, we intervened in a news process, from material selection to shooting to later advertising to controlling a production process. When we pay attention to China’s viewing of news magazines, we will find that Bai Yansong Shuijunyi also tried to move closer to this aspect. Of course, they were 30 years later than others. How big is Cronkite’s influence? He can influence the United States and the Cold War pattern, that is to say, he can influence both the East and the West camps at the same time. In those days, President Johnson said that he didn’t listen to Congress, but he had to listen to Cronkite. If he didn’t listen to Congress, he would lose votes, but Cronkite would lose the American people. Cronkite is regarded as the most trustworthy person in the United States. So what is this person most worried about? I am most worried that the old lady on the street came up to him and said, bro, I believe everything you said. Of course he It’s the truth. I once joked in a novel that the most common lies in this world are news broadcast announcers. They tell lies every day. But although we know that this kind of non-fiction appearance, words and images may contain more fiction, many people, including my former professor in yaoyao, are still willing to show newspapers a lot of time. So under such circumstances, is fiction still necessary in the era of mass media bullying?